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WRITING SCRIPT FOR RADIO BROADCAST:NEWS Script, Interviews

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Introduction to Broadcasting ­ MCM 411
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LESSON 20
WRITING SCRIPT FOR RADIO BROADCAST
There is no way to manage a 24-hour broadcast on daily basis without specifying certain
areas. Perhaps the top most matter is writing scripts for various programs. Almost every
program at a broadcasting house begins when a producer hands over the script to the
announcer, or anchorpersons for different programs. Missing a script means delay, or
cancellation of the program...and a furious program manager.
Writing script for radio is no ordinary exercise. The writer must be familiar with the type of
program he/she has been engaged with. The variation in script writing is so wide that
specialized script writers are involved in the production of copies for different programs. Then,
these scripts have to be kept in order... in order of the time for the day and programs on
weekly or daily basis. The script record keeping is a specialized job. So much of scripts is
available at a radio station that, like a library, these scripts have to be marked with the title of
programs, days of broadcast, timings and the producers. There may be a need for a script of a
program which was broadcast last month for certain reasons. That script has to be in hand
within no time. This is possible only when these sheets of papers are kept orderly.
Here below a broad classification is given to identify scripts for different types of programs;
NEWS Script
Undoubtedly, one of the top priorities goes in writing scripts for news which is generally
considered as one most formal broadcast by any station. Highly professional writers, having a
fairly long experience in language and news copy writing are employed to write copies for the
prime-time newsreels. What must be cared in these scripts is;
- Proper language (understood by most listeners)
- Simple words (at times difficult to find)
- Small sentences
- No jarring / jumbling
- Paragraphing
- Slugs
- Ethics
- Legal
- Proper terminology in IR...proper references
Interviews
Like news, you can't afford a mistake of names, background, reference and the subject matter
while interviewing a person. The only safety is you first write down a script carrying questions
and all the references about the interviewee. In panel interviews sometimes supplementary
questions have to be scripted as other are putting questions in real time. Normal practice is to
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Introduction to Broadcasting ­ MCM 411
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employ people who should conduct research work on a topic or the personality before
questions are constructed. Some station engage top ranking researchers for this purpose. All
this exercise aims at making interviews one of the most attractive piece of broadcast. If you
have to hold an interview of a celebrity from the showbiz, it is pertinent to know a great deal
about the achievements of the star and then set questions. It is a poor show on part of a
broadcasting house, or the interviewer, to ask a celebrity to narrate his/her achievements
Talk Shows / Discussions
The opening remarks about the topic and the necessity to run a program, introduction of the
participants and the questions are all lying on the table as a script to begin a program. At
times some lines are so hard and fast, that the anchorperson has to rehearse them well
before the time. But much of the talk shows is the same as in the programs like interviews.
The anchorperson of talk shows must be equipped with information related to the person or
the topic. For example if the discussion is to take place on globalization of economy, the
compere must be familiar with the concepts of free market economy, the various rounds of the
World trade Organization to up date various provisions for the global trade, and at the top of it,
country's position on certain developments in the world trade, reaction of the business
community and the possible amendments which may remove obstacles in a smooth
international trade. From here on the discussion must start to find new ideas on various
aspects of the topic under discussion. If this is not done this way, then the program would be
repeating things which are already in the knowledge of listeners.
Documentaries & Radio Features
For all documentaries and radio features, a script must be ready before other formalities are
fulfilled. In documentaries the script may carry historical data as well. One thing which must be
taken care of is the choice of words which should be simple and understood by common
people without much botheration.
Live Shows
Though it seems, the talent is saying something off the cuff, it is not so. All one is saying at the
mike in front of a huge gatherings like the live-shows, or awards giving ceremonies, is not only
strictly scripted but properly rehearsed for one can't afford to slip and cause embarrassment to
the producer and the station when VIPS and other bigwigs are around.
Disc Jockeys
All Programs ­ children, women, forces, farmers, light-talk, film songs-based, announcements,
messages etc. are not without scripts. Since these programs carry a fair amount of talking;
pieces of advice, jokes, what to do and what not and ordinary statements/announcements
therefore the talents need a copy of script. Even a shift announcer is given a script to make
announcements for the programs and news bulletins to follow. The same script is also held by
the producers to make sure that a program goes according to the script.
Dramas
Needless is to say that a drama needs a script; it has to be. In fact there is no concept of a
radio play without a script. Not only a formal script is required to produce a drama, the drama
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Introduction to Broadcasting ­ MCM 411
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script is so frequently punctuated with marks like cues and cautions; pauses, loud speech,
whisper, snobbish and the background musical effects.
These are the scripts, which are not only rehearsed for hours but sometimes for days; to the
satisfaction of the director before recordings begin. The following points should be kept in
mind while dealing with a script for dramas:
One-liner
Few Characters
Brief lines
All sound effects mentioned (radio script)
Story sequence well defined and easy to understand
Turning points fully emphasized
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Table of Contents:
  1. BROADCASTING:Historical Facts about Radio, Wireless and Radio
  2. CLASSIFICATION OF PROGRAMS:NEWS, Language, Sensationalizing
  3. CURRENT AFFAIRS:Talk Shows, Discussions, Seminars, Live Shows
  4. OUTDOOR BROADCASTING I:VIP Movement, Suddenly Assigned Events
  5. OUTDOOR BROADCASTING II:Pakistan Day March Past, General Elections
  6. CURTAIN RAISER:Political, Financial, Sports, Academics
  7. RADIO FEATURE:Personality Features, Features on Events
  8. MUSICAL PROGRAMS:Classical Music, Light and Film Music, Folk Music
  9. RADIO DOCUMENTARY:Narrative, Dramatized, Imagination, Close to places
  10. DISC JOCKEY:Women in Focus, Daily/ Weekly Division, Making Titles
  11. VOICE IN BROADCASTING:Speech, Accent, Loudness, Stress
  12. NOISE:Physical, Medium itself, Problem at sender’s end, Semantics
  13. STUDIO:Drama Studio, Studios for Talk Shows/ Discussions, Music Studios,
  14. RADIO DRAMA I:Stage Dramas, Early Radio Dramas, Ethics, Classification
  15. RADIO DRAMA II:Selection of director, The Playwrights, Script, Voices
  16. ADVERTISEMENT – INCOME GENERATION:Similarities, More Analysis
  17. ADVERTISERS’ APPROACH:Dramatized, Dialogue based, News
  18. FM – A NEW GENERATION IN BROADCASTING:Low Cost, The Difference
  19. MICROPHONE TO TRANSMITTER:Amplifiers, Modulator, Transmitter
  20. WRITING SCRIPT FOR RADIO BROADCAST:NEWS Script, Interviews
  21. INTERACTIVE BROADCASTING:On-line, E-mails, Interview, Views in News
  22. REVISION:CURRENT AFFAIRS, RADIO FEATURE, MUSICAL PROGRAMS
  23. HISTORY OF TELEVISION:Early History, The Black & White Images, Color Television
  24. PAKISTAN TELEVISION (PTV):The Excitement, Timing, Live Broadcast
  25. BROADCASTING LAWS:Laws in the 19th century, Press Council of Pakistan
  26. REPLICAS OF RADIO BROADCAST:The Staff, News Reading, Programming
  27. NEW SCRIPT WRITING AND DIRECTION TECHNIQUES:TV Script
  28. SETS:Permanent Sets, Hot & Cover Sets, Special Sets, Economical
  29. CAMERA SHOTS – THE VISUAL LANGUAGE:Angle Shots, Movement shots
  30. LIGHTS IN VISUAL BROADCASTING:Light Temperature, Light and Distance
  31. INTERIOR AND EXTERIOR:NEWS and Interviews, Dramas and Music
  32. BROADCASTING AND MEDIA IMPERIALISM:The truth in the debate
  33. ENVIRONMENT OF TV BROADCAST:Optical Illusions, POV, Depth of Field
  34. BUDGET:First Part, Second Part, Third Part, The Sponsors
  35. COMPARISON AND CONTRAST OF DIFFERENT RADIO AND TV FORMATS:TV NEWS
  36. CURRENT AFFAIRS – FROM RADIO TO TV:Seminars, Interviews
  37. PRE-PRODUCTION:Brain Storming, Scripting a new program, Approval
  38. PRODUCTION & POST-PRODUCTION:Booking Shifts, Rehearsals
  39. TV ADVERTISEMENTS – MONEY WITH ENTERTAINMENT:Early Phase, Getting Spots
  40. ENIGMA OF MORE CHANNELS:The Investment, Fresh Ideas, Closure of channels
  41. ANCHORPERSON:Appearance and Confidence, Job Opportunities
  42. COMPARISON BETWEEN RADIO AND TV BROADCAST:The Difference, Script
  43. TERRESTRIAL TO SATELLITE TO CABLE TV:Cable Network, CD Channels
  44. CAREER IN BROADCASTING:Production, Direction, Lighting Director, Script Writer
  45. REVISION (LESSON 23 TO 44):Broadcasting Laws, PEMRA, Budget