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PREPARATION OF SPECIAL REPORTS:Uncovering Truth, Reportage

<< SHOOTING A NEWS FILM:The Influence of telecast News
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TV News Reporting and Production ­ MCM 516
VU
LESSON 35
PREPARATION OF SPECIAL REPORTS
Investigative journalism
Uncovering Truth
Ultimately, the job of the journalist -- especially the investigative journalist -- is to uncover the truth
about situations and explain that truth to an audience in a clear and succinct manner.
Even when there seems to be a major injustice involved, it is not the responsibility of the reporter to be
an advocate of a particular viewpoint, only to bring all of the related facts to the public's attention.
In the case of complex stories and situations, this does not exclude the necessary interpretation of the
facts.
In mid-2002 two major stories were reported in the U.S. press: the molestation of hundreds of children
by clergy and the largest corporate bankruptcy in U.S. history. In both cases the incriminating facts had
been successfully hidden from the public as the situations continued to get progressively worse.
Had the truth been uncovered and publicized earlier, something could have been done to head off the
pain and suffering that a great many people had to subsequently endure.
This includes the many additional children who were molested and the scores of people who lost all of
their retirement funds while some corporate executives pocketed millions of dollars.
In both cases it was the journalist's job to uncover the facts that people were rather successfully hiding
and bring these facts to the public's attention; in other words, to fulfill their role as "the watchdogs of a
democratic society." Generally, public exposure is all that is needed to initiate corrective action.
Reportage sometimes refers to the total body of media coverage of a particular topic or event, including
news reporting and analysis: "the extensive reportage of recent events in x." This is typically used in
discussions of the media's general tone or angle or other collective characteristics.
Reportage is also a term for an eye-witness genre of journalism: an individual journalist's report of
news, especially when witnessed firsthand, distributed through the media. This style of reporting is
often characterized by travel and careful observation.
Literary reportage (pronounced ray-por-taj) is the art of blending documentary, reportage-style
observations, with personal experience, perception, and evidence, in a non-fiction form of literature.
This is perhaps more commonly called creative nonfiction and is closely related to New Journalism. The
prose of such reporting tends to be more polished and longer than in newspaper articles.
Investigative journalism is when reporters deeply investigate a topic of interest, often involving crime,
political corruption, or some other scandal.
There is no more important contribution that we can make to society than strong, publicly-spirited
investigative journalism. ­ Tony Burman, editor-in-chief of CBC News.
De Burgh (2000) states that: "An investigative journalist is a man or woman whose profession it is to
discover the truth and to identify lapses from it in whatever media may be available. The act of doing
this generally is called investigative journalism and is distinct from apparently similar work done by
police, lawyers, auditors and regulatory bodies in that it is not limited as to target, not legally founded
and closely connected to publicity".
An investigative journalist may spend a considerable period researching and preparing a report,
sometimes months or years, whereas a typical daily or weekly news reporter writes items concerning
immediately available news. Most investigative journalism is done by newspapers, wire services and
freelance journalists. An investigative journalist's final report may take the form of an exposé.
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TV News Reporting and Production ­ MCM 516
VU
The Investigation
The investigation will often require an extensive number of interviews and travel; other instances might
call for the reporter to make use of activities such as surveillance techniques, analysis of documents,
investigations of the performance of any kind of equipment involved in an accident, patent medicine,
scientific analysis, social and legal issues, and the like.
Investigative journalism requires the scrutiny of details, fact-finding, and physical effort. An
investigative journalist must have an analytical and incisive mind with strong self-motivation to carry on
when all doors are closed, when facts are being covered up or falsified and so on.
Some of the means reporters can use for their fact-finding:
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Studying neglected sources, such as archives, phone records, address books, tax records and
license records.
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Talking to neighbors.
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Using subscription research.
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Anonymous sources.
Investigative journalism can be contrasted with analytical reporting. According to De Burgh (2000)
analytical journalism takes the data available and reconfigures it, helping us to ask questions about the
situation or statement or see it in a different way, whereas investigative journalists go further and also
want to know whether the situation presented to us is the reality.
Consequences
Consequences for society as a whole include:
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revision of institutional policies
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changes in the law
Some of the potential consequences for the subjects of successful investigative journalism include:
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loss of job
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loss of professional accreditation
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payment of fines
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indictment and conviction
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loss of personal and professional reputation
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critical consequences for family members/associates involved in unrelated criminal acts
discovered through the process of investigation
Professional references
In The Reporter's Handbook: An Investigator's Guide to Documents and Techniques, Steve Weinberg
defined investigative journalism as:
Reporting, through one's own initiative and work product, matters of importance to readers, viewers or
listeners. In many cases, the subjects of the reporting wish the matters under scrutiny to remain
undisclosed. There are currently university departments for teaching investigative journalism.
Conferences are conducted presenting peer reviewed research into investigative journalism.
Breaking news is a current event that broadcasters feel warrants the interruption of scheduled
programming in order to report its details. Its use is often loosely assigned to the most significant story
of the moment or a story that is being covered live. It could be a story that is simply of wide interest to
viewers and has little impact otherwise.
Format
The format of a special report or breaking news event on television commonly consists of an opening
graphic, featuring music which adds an emphasis on the importance of the event. This is usually
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TV News Reporting and Production ­ MCM 516
VU
followed with the introduction of a news anchor, who welcomes the viewer to the broadcast and
introduces the story at hand.
Once the story is introduced, the network may choose to continue to show a live shot of the anchor or
may cut away to video or images of the story that is being followed during the broadcast. Additionally,
the coverage may be passed to a reporter at the location of the breaking event, possibly sharing more
information about the story as it breaks.
Depending upon the story being followed, the report may last only a few minutes, or continue for
multiple hours at a time. If coverage continues for an extended amount of time, the network may
integrate analysis about the story through analysts in-studio, via. Phone, satellite, or through other
means of communication.
When the coverage comes to a close, the network may either resume programming that was occurring
prior to the event or begin new programming, depending upon the amount of time spent on the
coverage.
Usage
While in the past programming interruptions were restricted to extremely urgent news, such breaks are
now common at 24-hour news channels which may have an anchor available for live interruption at any
time. Some networks largely emphasize this, even advertising the station as being "first for breaking
news".
The term breaking news has come to replace the older use of news bulletin. There has been widespread
use of breaking news at the local level, particularly when one station in a market wants to emphasize the
exclusivity of coverage. Not all viewers agree that stories assigned breaking news rise to the
significance or level of interest that warrant such a designation.
Criticism
When a network begins coverage of a breaking story, the early details about the stories are commonly
sketchy, usually due to the limited amount of resources available to the reporters for information during
the time the story initially breaks.
Another criticism has been the diluting of the importance of breaking news by the need of 24-hour
news channels to fill time, using the title when covering any number of soft news stories.
Know Your Story
Before shooting it's vital that you know the whole story and how your sequence fits into it. Story
summaries are one tool you can use to ensure you don't lose the plot. If you have time, pictures and
storyboards can help to visualise your ideas.
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How to do it
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Decide the story's angle.
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Write a summary or sketch storyboards.
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However "last minute" the shoot, make sure you have a clear brief.
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Check that what you're doing is realistic in the time available - don't compromise your safety.
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Unforeseen events can occur - be ready to react if the story changes, and follow new
developments.
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Remind yourself "I will always focus on telling the story".
Covering News vs. Making News
Scientists say that when you observe an event you in some way change it. Leaving the esoteric concepts
of theoretical physics aside, we know that the presence of news reporters and cameras not only changes
events, but it can even create news.
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TV News Reporting and Production ­ MCM 516
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At Times, a Dangerous Profession
In the may countries, reporters have been killed before their stories could be aired. Numerous books and
articles document this.
Although some of these authors might be seen as "conspiracy theorists," the death of journalists and
scores of informants on the eve of important revelations can't all be viewed as coincidence.
According to the Committee to Protect Journalists, between 1992 and 2001, 399 journalists were killed
"because of their work." By 2007, more than 100 journalists had been killed in the Iraq and Afghanistan
wars. In the last decade years more than 1,000 journalists have been killed around the world.
Suffice it to say, investigating and breaking important stories often carries a degree of professional and
personal risk. At the same time, this is the way awards are won and professional careers are advanced --
and, far more importantly, wrongs are rectified and needed social change is instituted.
News and Politics
Most of the nation's newspapers and magazines and television stations, seeking greater profits through
larger audiences, fed the public a diet of crime news, celebrity gossip, and soft features, choosing to
exclude more serious topics that news managers feared would not stimulate public attention.
CNN Journalist Peter Arnett, with one explanation as to why Americans tend to be less informed about
world events than citizens of many other countries.
At the same time we need to put some things into perspective.
For many years TV has represented the number one source of news and information for the vast
majority of people in industrialized nations.
When a scandal is uncovered in a news show, we often see action taken. When the spotlight of TV
scrutiny is focused on a problem in a distant land, and there is public outrage, we often see steps taken
to correct things. This is the reason that third-world despot's fear, and have taken great measures to ban,
the press, in general, the TV news in particular.
Does not the fear of exposure keep many on a nobler path?
Often the news isn't pleasant. As the bearer of some unpopular messages TV news has generated many
critics. In fact, TV news probably gets more complaints than any other type of programming, especially
from those who want to believe "a different truth."
Many longtime professionals remember a time when newspapers and electronic journalism were held in
much higher esteem -- primarily because there was a "high wall" separating news departments and
bottom-line corporate interests.
It appears that the drop in credibility has impacted where people are getting their news.
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Table of Contents:
  1. CREATIVITY AND IDEA GENERATION FOR TELEVISION:Video Procedures
  2. PRE-REQUISITES OF A CREATIVE PRODUCER/DIRECTOR:SET-UP RESPONSIBILITIES
  3. REFINING AN IDEA FOR PRODUCTION:Drama, Magazine Shows, Documentary
  4. CONCEPT DEVELOPMENT:Variable. Pure and applied research
  5. RESEARCH AND REVIEWS:Research Procedure, Review of available literature
  6. SCRIPT WRITING:Elements of a successful story, Characters, Effects
  7. PRE-PRODUCTION PHASE:Indoor production, Outdoor production, Essentials of PBE
  8. SELECTION OF REQUIRED CONTENT AND TALENT:Camera rehearsal
  9. PROGRAMME PLANNING:Checklist, Electronic Field Production (EFP)
  10. PRODUCTION PHASE:Floor plan, Traditional set, Representational set, Design elements
  11. CAMERA WORK:Movement of lens of camera, Types of shots
  12. LIGHT AND AUDIO:Importance of sound in TV, Use of microphone, Loudness
  13. DAY OF RECORDING/PRODUCTION:Rehearsals,Point to ponder
  14. LINEAR EDITING AND NLE:Episode, Scene, Editing, Production Switcher
  15. MIXING AND USES OF EFFECTS:Live Sound Effects, ARROW STRIKING
  16. SELECTION OF THE NEWS:Elements of news, Timeliness, proximity
  17. WRITING OF THE NEWS:The inverted pyramid, Lead, Credit line
  18. EDITING OF THE NEWS:Characteristics of good news:Process of editing a news
  19. COMPILATION OF NEWS BULLETIN:Hard news, Soft news, Investigative report
  20. PRESENTATION OF NEWS BULLETIN
  21. MAKING SPECIAL BULLETINS:Agriculture, Show biz, Fashion, Drama
  22. TECHNICAL CODES, TERMINOLOGY, AND PRODUCTION GRAMMAR
  23. TYPES OF TV PRODUCTION:Magazine Shows, Specific audience programming
  24. DRAMA AND DOCUMENTARY:Documentary film, Defining documentary
  25. SOURCES OF TV NEWS:Reporters, Correspondents, Monitoring, News Agency
  26. FUNCTIONS OF A REPORTER
  27. BEATS OF REPORTING:City reporter, Social reporters, Show-biz reporter
  28. STRUCTURE OF NEWS DEPARTMENT:Beat Reporters, Online media
  29. ELECTRONIC FIELD PRODUCTION:Sports, Electronic news gathering
  30. LIVE TRANSMISSIONS:Studio floor, Switcher, Master control room, Camera control units
  31. QUALITIES OF A NEWS PRODUCER:Determination, Awareness, Sharp an active
  32. DUTIES OF A NEWS PRODUCER
  33. ASSIGNMENT/NEWS EDITOR:Accuracy, Fairness and Reliability, Conflict
  34. SHOOTING A NEWS FILM:The Influence of telecast News
  35. PREPARATION OF SPECIAL REPORTS:Uncovering Truth, Reportage
  36. INTERVIEWS, VOX POPS AND PUBLIC OPINIONS:INTERVIEW, Information
  37. BACK GROUND VOICE AND VOICE OVER:Natural or Raw Sound, Sound Effects
  38. SPOKEN WORDS AND RELEVANT VISUALS:Digital Audio, Quantizing Error
  39. TALK SHOWS, FORUMS AND DISCUSSION PROGRAMMES
  40. FUNCTIONS OF VARIOUS DEPARTMENTS OF A TV SET UP
  41. PROGRAMMES DEPARTMENT:Program content, Television series by genre
  42. NEWS AND CURRENT AFFAIRS THE PROGRAMMING & SCHEDULING
  43. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION
  44. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION - 2 SUB-DEPARTMENTS AND SMALL SECTIONS
  45. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION 3