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CLASSIFICATION OF PROGRAMS:NEWS, Language, Sensationalizing

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Introduction to Broadcasting ­ MCM 411
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LESSON 02
CLASSIFICATION OF PROGRAMS
Moving on from the previous talk in which we discussed various aspects of broadcasting in the
sense of target audience and timings of the programs, we will now see in detail as how
programs are classified for a full fledged broadcasting house.
Classification
Almost all the leading broadcasting houses have put their presentations in these distinct
categories namely;
·
News
·
Current Affairs
·
Programming
Today, we start understanding the first category; news and current affairs.
NEWS
Perhaps the hallmark of every broadcasting house is presentation of the news. Some are
specifically known for it like BBC or CNN. So much is the specialization of this category of
broadcast that some houses have now launched channels which round the clock deal with
news and news analysis only.
By definition a news is a piece of information which tells you about the recent, events taking
place any part of the world and which interests large number of people.
This updating of events is perhaps in the human instinct. But how a producer should deal with
this segment of broadcast is what we will be talking in detail.
Authenticity
First and foremost, the producer must check is the authenticity of the news, reliability of the
sources for any mistake here may result in a wide spread reactions.
Language
The news language is always the standard language with pronunciation and accent socially
accepted.
Story lines are simple and short which communicate more. Jarring sentences or complicated
structuring of lines will only ruin the whole exercise.
Taboos
There are certain things in every society mention of which is not encouraged, even if the facts
are correct. No society allows mentioning of sacrilegious matters or talking more on racism
even if some even to this effect has taken place. For the sake of not fanning such things, these
matters are put in the low key. In Pakistan, for instance, stories of rape, murder or other social
distortion are not given any undesired publicity by the broadcasting houses for the society
does not permit there mention too often. Knowing such sensitive matters is one of the primary
things a news producer must be aware of.
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Introduction to Broadcasting ­ MCM 411
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Sensationalizing
A big no. News are written and read in a manner they do not cause undesired bent to, or from,
an event. They must be delivered in a standard way. In fact if there is a juicy news - about
show-biz, sports or politics, a good news producer will tend to subtract sensational area from it
so that it does not cause an immediate reaction. But it does not suggest by any means that the
interest in the news be shrinked. It is here, qualities of a news producer are exposed.
Voice Quality
People appearing in different broadcast possess different voice qualities - level, stress,
mincing words, some natural some un-natural, sharp, hoarse and with a range of accents. But
for news reading a person is required whose voice quality should be described as
STANDARD. It is difficult to define it, but the voice, which has high social acceptability, could
be categorized for it.
Reading Speed
It is suggested that a news reader must practice the script, and is very well trained, in keeping
a uniform speed for reading different news throughout the given bulletin. It will be a very
embarrassing situation for the producer, as well as listeners, to see a broadcaster reading
slowly in the beginning and then running fast through the later part of the newsreel. This also
suggests that news producer should put as much reading material on the script which must be
finished right in time of the bulletin with the uniform reading speed adopted by the news
reader. This is easy said then done. A lot of practice is required to keep matters in control.
Proximity
Selection of news is the area about which it is generally said that it is here that a news
editor/producer grows grey hair or loses hair faster than others. And truly said so. At a news
section of a broadcasting house you will encounter tens of thousands of news items pouring in
from all around the world - the volume of this material in a day is enough to keep you busy
reading it a whole week if not less. How to choose news which suit to my bulletin is a huge
question facing a news producer many times a day. And unfortunately you do not have ample
time to think, but take a decision as quickly as possible for the legs of the wall-clock are ticking
fast to keep you under pressure for a decision.
Let's see what helps him in news selection; proximity of events is perhaps the first guideline
for him... an event taking place in Pakistan, suppose a rail accident killing five people, is a
preferred story for him than killing of 30 people in some South American state by a cyclone. A
political statement from a top ranking official in Pakistan will feature prominently in a news
bulletin run by a Pakistani Broadcasting house, than a similar statement issued by an even
senior ranking official of another country, mattering little to people of Pakistan.
Then he knows the regional issues, developments in the Muslim world and the international
scenario which may interest people here. More he knows about it easier is the selection
process for him; though it is never easy in standard terms.
Specific NEWS
With specialization emphasized in all the well spread out areas, special news bulletins are
arranged for specific target listeners. Many a broadcasting house, and the Pakistan
Broadcasting Corporation included, news bulletins meant generally for a specific segment of
society are arranged; special news bulletin for farmers carrying mainly agricultural news, for
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Introduction to Broadcasting ­ MCM 411
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business community or sporting news for the people who interests more in these areas. The
benefit of such arrangement is that more material could be put across here as compared to
general newsreels which would only touch briefly on these issues for want of time.
Breaking NEWS
These days we hear more of it. Well, this means stopping your routine transmission to
announce news of immediate interest and importance to most people. This must be done
prudently otherwise people will lose interest in the routine newscasts.
And before we end this discussion, we should not forget noticing news
bulletin in regional, or as they are called these days, national languages. This exercise is done
to accommodate and communicate things worth news to people in the remote towns,
especially speaking languages in a particular dialect and diction. Such bulletins usually carry
news of local contents.
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Table of Contents:
  1. BROADCASTING:Historical Facts about Radio, Wireless and Radio
  2. CLASSIFICATION OF PROGRAMS:NEWS, Language, Sensationalizing
  3. CURRENT AFFAIRS:Talk Shows, Discussions, Seminars, Live Shows
  4. OUTDOOR BROADCASTING I:VIP Movement, Suddenly Assigned Events
  5. OUTDOOR BROADCASTING II:Pakistan Day March Past, General Elections
  6. CURTAIN RAISER:Political, Financial, Sports, Academics
  7. RADIO FEATURE:Personality Features, Features on Events
  8. MUSICAL PROGRAMS:Classical Music, Light and Film Music, Folk Music
  9. RADIO DOCUMENTARY:Narrative, Dramatized, Imagination, Close to places
  10. DISC JOCKEY:Women in Focus, Daily/ Weekly Division, Making Titles
  11. VOICE IN BROADCASTING:Speech, Accent, Loudness, Stress
  12. NOISE:Physical, Medium itself, Problem at sender’s end, Semantics
  13. STUDIO:Drama Studio, Studios for Talk Shows/ Discussions, Music Studios,
  14. RADIO DRAMA I:Stage Dramas, Early Radio Dramas, Ethics, Classification
  15. RADIO DRAMA II:Selection of director, The Playwrights, Script, Voices
  16. ADVERTISEMENT – INCOME GENERATION:Similarities, More Analysis
  17. ADVERTISERS’ APPROACH:Dramatized, Dialogue based, News
  18. FM – A NEW GENERATION IN BROADCASTING:Low Cost, The Difference
  19. MICROPHONE TO TRANSMITTER:Amplifiers, Modulator, Transmitter
  20. WRITING SCRIPT FOR RADIO BROADCAST:NEWS Script, Interviews
  21. INTERACTIVE BROADCASTING:On-line, E-mails, Interview, Views in News
  22. REVISION:CURRENT AFFAIRS, RADIO FEATURE, MUSICAL PROGRAMS
  23. HISTORY OF TELEVISION:Early History, The Black & White Images, Color Television
  24. PAKISTAN TELEVISION (PTV):The Excitement, Timing, Live Broadcast
  25. BROADCASTING LAWS:Laws in the 19th century, Press Council of Pakistan
  26. REPLICAS OF RADIO BROADCAST:The Staff, News Reading, Programming
  27. NEW SCRIPT WRITING AND DIRECTION TECHNIQUES:TV Script
  28. SETS:Permanent Sets, Hot & Cover Sets, Special Sets, Economical
  29. CAMERA SHOTS – THE VISUAL LANGUAGE:Angle Shots, Movement shots
  30. LIGHTS IN VISUAL BROADCASTING:Light Temperature, Light and Distance
  31. INTERIOR AND EXTERIOR:NEWS and Interviews, Dramas and Music
  32. BROADCASTING AND MEDIA IMPERIALISM:The truth in the debate
  33. ENVIRONMENT OF TV BROADCAST:Optical Illusions, POV, Depth of Field
  34. BUDGET:First Part, Second Part, Third Part, The Sponsors
  35. COMPARISON AND CONTRAST OF DIFFERENT RADIO AND TV FORMATS:TV NEWS
  36. CURRENT AFFAIRS – FROM RADIO TO TV:Seminars, Interviews
  37. PRE-PRODUCTION:Brain Storming, Scripting a new program, Approval
  38. PRODUCTION & POST-PRODUCTION:Booking Shifts, Rehearsals
  39. TV ADVERTISEMENTS – MONEY WITH ENTERTAINMENT:Early Phase, Getting Spots
  40. ENIGMA OF MORE CHANNELS:The Investment, Fresh Ideas, Closure of channels
  41. ANCHORPERSON:Appearance and Confidence, Job Opportunities
  42. COMPARISON BETWEEN RADIO AND TV BROADCAST:The Difference, Script
  43. TERRESTRIAL TO SATELLITE TO CABLE TV:Cable Network, CD Channels
  44. CAREER IN BROADCASTING:Production, Direction, Lighting Director, Script Writer
  45. REVISION (LESSON 23 TO 44):Broadcasting Laws, PEMRA, Budget